Wednesday, 10 March 2010
Phantom/Love
First things first, a huge thank you to everyone who came to see 360 in either Oxford or Liverpool. We really hope you enjoyed the show. If you did, you may want to check out our Get A Little Closer page on our website. It will tell you how you can, well, get a little closer, and get in contact via a variety of glorious means. We hope to hear from you!
Over here in the office Simon has opened my eyes to something glorious. He has taught me so much over these past few months, but I think this has to be the greatest gift yet: The West End Whingers. Click the link for unbelievable amounts of joy. I laughed so much I had real tear droplets tumbling down my face. Their reviews of shows are utterly brilliant. My particular favourite is the review of Andrew Lloyd Webber's latest creation, Love Never Dies. I have yet to see the show, but am most intrigued by the extraordinary range of reviews the show has had. So, especially for your enjoyment, and to help with a potential 'should I or should I not book tickets for Love Never Dies' quandry, here is a medly of some of the best bits from the reviews I have read.
First, and possibly most crucially, here is what the West End Whingers had to say...
On the title: "what does it mean? Nothing. Of course love dies. Of course it does. What bollocks."
On the lighting: "It was a bit gloomy. So was the next scene and the one after that. In fact the whole thing was gloomy. Andrew’s advice to people with contact lenses: take eye-drops and a high beam torch."
On the end of act one: "the climax at the end of act one involves Madame Giry throwing a jacket down a stair well. As climaxes go, it’s not really up there"
On the casting: "what a shameful waste of talent"
On a more fitting alternative title: 'Paint Never Dries'
Michael Billington of The Guardian gave the show three stars in his review and on the whole was really quite positive, but not in an 'Omygod you have to see this show or you will be missing out on something totally epic and amazing' way. More in a 'yeah, it's quite good, probably worth seeing, but don't sell a vital organ in order to get hold of a ticket' way. His most quote-worthy comments were probably: "From my distant seat in row O, the performances seemed fine" (not fantastic then). According to Mr Billington the show's main problem...
"What the show lacks, in a nutshell, is narrative tension. For Christine, having discovered her employer's true identity, the big question is "to sing or not to sing?". Hmm, doesn't sound terribly nail-biting to me. I'm also guessing, since it's a musical, she probably does end up singing.
Benedict Nightingale at The Times only gave the show two stars and seemed rather miffed that it was not the original show. I hate to break it to you Benedict, but the point of a sequel is that it is similar but not identical to the first one, something you clearly have yet to grasp:"this Phantom is not the phantom we knew. The “poisoned gargoyle who burns in hell” has clearly taken an anger management course in New York...Where’s the menace, the horror, the psychological darkness?"
Over at The Telegraph Charles Spencer awarded Love Never Dies a very respectable four stars. Although he "attended Andrew Lloyd Webber’s long-awaited sequel to his world-conquering Phantom of the Opera with a degree of trepidation." He seemed to like it, and summed things up as follows:"The show may ultimately prove too strange, too dark, too tormented to become a massive popular hit, but I suspect its creepy allure will linger potently in the memory when frothier shows have been long forgotten. "
Now over to members of the great general public, who we can count on for their honest opinions. The comments on whatsonstage.com include the following:
"this pointless waste of money and time"
"Fantastic - enough said! ALW's best ever"
"Tedious"
"Well, it's NOT phantom. It's Phantom meets Vaudeville, but in a bad sort of way"
"Not quite sure what show all these other reviewers went to see but it can't have been Love Never Dies. ...Have seen it twice already and would go again tomorrow!"
So, there you have it folks. I hope that has provided you with at either enlightenment or entertainment, ideally both of course. If you do go and see the show I would love to hear your thoughts.
Thanks to kimba for the photo
Posted by Marieke at 13:51 0 comments
Labels: 360, andrew lloyd webber, Guardian, Hoi Polloi, Hoipolloi, Hugh Hughes, liverpool, Love never dies, oxford, phantom of the opera, review, telegraph, the times, west end whingers
Wednesday, 3 March 2010
Luscious lists
Now I don't know about you, but I like lists. They are very satisfying to make and to tick items off is a highly fulfilling activity indeed. Unless of course you make ridiculous lists like 'by next month I want to be able to fly, speak Mandarin and train my pug puppy how to make me breakfast and bring it to me in bed on Sunday mornings'. That would just be silly. Anyway, today the Guardian is offering some excellent lists, including 'what to do with browning bananas', and 'ten tips for writing fiction'. Handy stuff. That is if you have lots of bananas lurking around and you are trying to finally write that novel. You know, the one that was on your list of 'things to do by the time I'm... [insert relevant age]'.
Ah ha I thought! This is precisely what we need, some Hoipolloi/theatre related lists. And so, especially for you, I have created the following...
A list for today -some questions and action points:
1. Do I live in or near Oxford or Liverpool?
2. If no, could I get to either without too much schlepping?
3. If 'yes' to either of those... Am I free tonight/tomorrow/Friday/Saturday?
5. If 'yes', then go to http://www.oxfordplayhouse.com/ or http://www.everymanplayhouse.com/
6. Book tickets for Hugh Hughes in 360.
7. See the show and have a fantastic time.
A list for going to the theatre in general - some top tips
1. Don't arrive too early, or too late. If the former happens you will find yourself loitering around and end up spending too much money on bad wine and overpriced peanuts and will be so bored that you'll read every single flyer in the foyer twenty times thus leaving you feeling highly lethargic/drunk before you even get into the auditorium. If the latter occurs you will have to run up the stairs, and so will get hot and sweaty and feel gross and then need to do the awkward clamber over other audience members in order to get to your seat. Because you were in a hurry you forgot to turn off your phone and so half way through Act 2, during a particularly poignant moment, there will be a loud ringing sound emitting from your handbag. Chances are you won't be able to find it because it has fallen through the hole in the lining. Everyone is looking at you and with satanic stares. But there is nowhere to hide. Nowhere...
2. Most programmes contain only a small amount of information which is actually relevant to the show. To get your value for money take it home and use the excess pages for home made wrapping paper, origami practise, paper aeroplanes, or shred it and use it as bedding for the hamster.
3. In advance of your trip do some pelvic floor muscle exercises in order to increase bladder control. Ideally you will not need to go to the loo at the theatre as there is always an enormous queue. Especially in the West End. If you do need to 'powder your nose' you will spend most of the interval stuck in a line, and then will miss out on getting an ice cream. Which, let's face it, is the best part of going to the theatre.
4. Even if you have seen it eight times, and played the Dane in a 'raw, dynamic, highly physical and utterly ground breaking' production of Hamlet at the Fringe while you were at university and are thus a total expert, the rest of the audience will not appreciate you muttering along to 'To be or not to be'. It's best to keep schtum and just appreciate whatever the next 'hot young thing' is doing. Do feel free to analyse the actor's interpretation later. Brutal criticism in the bar afterwards is de rigeur. Especially after a Shakespeare.
5. Make sure you have got a)the right day and b) the right theatre. It is very easy, especially if you book tickets in bulk online, to get somewhat muddled and turn up at the venue on March 12th instead of May 12th, expecting to see Medea, but you find yourself in row F as the houselights are about to go down for Measure for Measure and then someone says 'erm, I think you're in my seat' and you double check your ticket and realise that you have got very muddled indeed. Now you need to trek all the way home feeling disappointed, embarassed and a bit angry. Never good.
Thanks to koalazymonkey for the pic
Posted by Marieke at 11:07 0 comments
Labels: bananas, edinburgh festival fringe, Guardian, hamlet, Hoi Polloi, Hoipolloi, Hugh Hughes, liverpool, liverpool everyman, measure for measure, medea, oxford, oxford playhouse, west end
Wednesday, 24 February 2010
Oh the mystery!
Anyway the secret project is seriously exciting. More exciting than the fact that we've recently won a gold medal at the winter Olympics. Now if you read last week's post you will understand that I am a ludicrously keen bean when it comes to winter sports (a strange combination of passions I know, skiing + theatre, but maybe linked in some quirky way...? Discuss.) so this should give you at least some idea of how brilliant the secret project is.
Clues: 1. I'm going to be searching through some Hoipolloi archive material over the next few days. 2. Hugh is involved. 3. If you're based in Cambridge, then make sue you keep a bit of space during the tail end of May free in your diaries (i.e. don't go on a month long cruise around the Bahamas or something like that. Stay here. You will not regret it). 4. If you're based in London, or nearby, or not but would like to visit London, then my magical mystical crystal ball says you shouldn't go away for an extended period of time in September (so that trekking holiday in Peru you had planned - cancel it).
Keep your eyes and ears open and keeping reading the blog as more information will be leaked soon.
In the meantime, whatever you do, don't forget that Hugh is hitting the road again next week and he would love to see you in either Oxford (3 March) or Liverpool (4 to 6 March).
Thanks to laurakgibbs for the photo
Posted by Marieke at 14:39 0 comments
Labels: 360, bahamas, cambridge, cruise, Hoi Polloi, hoipolli, Hugh Hughes, liverpool, olympics, oxford, peru, secret gigs
Wednesday, 17 February 2010
Three cheers for 360

The winter olympics are in full swing and Hugh is approaching his next tour of 360 faster than you can say 'short track speed skating', although probably not as fast as the snowboarders travelling down the boarder cross track, or the bobsleighs, because that would be ridiculous.
Anyway, March is looking very close and we think visiting Oxford and Liverpool is as exciting as the Giant Slalom (now I'm a seriously big skiing enthusiast so that really is very exciting indeed). Plus the chance you'll enjoy the show is as great as the chance that the figure skaters will be wearing sparkly lycra and too much make up (extremely high).
Now in case you haven't got your mittens on a ticket yet, and still need convincing, here is a trailer to whet your appetite...
Convinced? No? Then perhaps this will sway you...
Still not gone to book via the websites of Oxford Playhouse or Everyman in Liverpool to book? Watch this and maybe you'll change your mind...
I can even hear the curling team in Vancouver shout 'say hello to Hugh for us'. Now if that isn't a reason to see 360, then I don't know what is.
Posted by Marieke at 11:15 0 comments
Labels: 360, bobsleigh, curling, Everyman Theatre, Hoi Polloi, hoipalloi, Hoipolloi, Hugh Hughes, liverpool, olympics, oxford playhouse, snowboarding, vancouver
Wednesday, 10 February 2010
Hurrah!
Anyway, there are plenty of things to be happy about to distract me from the mortifying embarrassment incurred last week...
Item number 1: we have over 1000 followers on Twitter! Considering that we only started tweeting about a year ago, that's a fantastic number. Huge thanks to everyone who has supported us. Please keep following!
Item number 2: Hugh had a brilliant run of 360 in Sydney. The show went extremely well, in fact so well, and the weather was so lovely that Hugh and Simon didn't get a chance to send a report of the trip while they were there. Once they've recovered from the jet lag and readjusted to the arctic UK temperature they will write up their adventures so that you can read all about the festival.
Item number 3: Hugh Hughes' Rough Book is still going strong. We hope you have been enjoying the glimpses into Hugh's studio and the things he creates in there. The Rough Book will be continuing for the next few weeks, with new posts on Mondays and Fridays. I'll also be doing a 'non Rough Book' post on Wednesdays. So keep your eyes on the blog as there'll be plenty of new things springing up.
Item number 4: We are very very excited about going to Oxford and Liverpool in March. We'd love to see you there. You can book tickets for the Oxford show (3rd March) by clicking here, and the Liverpool shows (4th, 5th, 6th March) by clicking here.
And last, but by no means least...(in fact you may say I've saved the best for last)...
Our very own Mr Ben Frimston, who you may have seen recently in The Doubtful Guest or in the famous Rowntree's Randoms advert, or just in the picture above, is on the silver screen again. He's starring in a new Burger King advert. Here it is...
EDIT (14 July 2010): Flicking back through some old blog entries, I've just discovered the video has been taken down from YouTube. Sorry that you've missed seeing Ben in that BK advert, but he's currently appearing in a new Dutch beer advert which you can find here! Simon
Posted by Marieke at 12:36 0 comments
Labels: burger king, Hoi Polloi, Hoipolloi, Hugh Hughes, liverpool everyman, oxford playhouse, rough book, rowntrees randoms, Sydney Festival, The Doubtful Guest



